The following is a very crude list of a tape collection we hold at the archive compiling many old SMPTE presentations. This collection is essentially the property of SMPTE since Herb Farmer used to be in charge of some of the SMPTE archives which is why I have not begun uploading them. I would happily make these all available online if SMPTE gave the OK, but in the meantime the only way to access them would be at the archive itself. But here is what exists. When you see the same listing twice that means the lecture continues across more than one tape.

DATE TITLE SPEAKER TOPIC
2/11/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 W. Froug The Changing Scene in Motion Pictures
2/18/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Aubrey Schenck The Changing Scene in Production Techniques
2/25/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Tenser and Corwin The Changing Scene in Distribution and Exhibition
3/4/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Bill Wade Cameras: Types, Formats & Techniques
3/11/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Ted Gomillion Production Sound – The New Approach
3/18/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 George Folsey Lights & Lighting
3/25/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Fouad Said and Ted Gomillion Mobile Studios
4/1/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Tony Bruno and Ted Fogelman Film Types & Laboratory Services
4/8/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Fritz Steinkamp Editorial Techniques
4/15/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Loren Ryder and Jack Meakin Post Production Sound
4/22/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Doug Trumbull and Dale Tate Titles, Opticals & Special Effects
4/29/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Roy Deets Writing & Directing for Today’s Audiences
5/6/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 James C. Pratt and Maurice Vaccarino Production Management: Studio & Location; Domestic & Foreign
5/13/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Bud Brown and Peter W. Geiger Budgeting, Financing, Insurance & Taxes
5/22/1970 SMPTE – Creative Freedoms in Motion Picture Production: Spring 1970 Albert Dorskind and Wilton Holm Management Looks at the Future
9/23/1970 Telvision: From the Inside: Fall 1970 John Reynolds Production and Production Techniques, History and Status from Conception to Airing
9/30/1970 Telvision: From the Inside: Fall 1970 Cicero, Petri & Welch Financial and Legal Implications in Developing a Show
10/7/1970 Telvision: From the Inside: Fall 1970
10/14/1970 Telvision: From the Inside: Fall 1970 Alan Haudley & David Victor The “Special” and the “Series” – Differences & Similarities
10/21/1970 Telvision: From the Inside: Fall 1970 Bryan Hickox, Art Snyder, Ken Gufsteson T.V. Cameras and their Relation to Programing
10/28/1970 Telvision: From the Inside: Fall 1970 Robert Boatman, John Freschi, George LaFountaine, Tom Schamp, Lon Stuckey Lighting for Television
11/4/1970 Telvision: From the Inside: Fall 1970 Bruce Kirby Sound
11/11/1970 Telvision: From the Inside: Fall 1970 E.Jay Krause Scenic Design and Sets
11/18/1970 Telvision: From the Inside: Fall 1970 Loo Phillipi Costuming, Makeup and Choreography
12/2/1970 Telvision: From the Inside: Fall 1970 Claire Higgins & Jack Jester Locations
12/9/1970 Telvision: From the Inside: Fall 1970 Jerry Greene Electronic Editing
12/16/1970 Telvision: From the Inside: Fall 1970 Jack Masch Post Production and Syndication
1/6/1971 Telvision: From the Inside: Fall 1970 Bryan Hickox As the Producer Sees It
1/13/1971 Telvision: From the Inside: Fall 1970 As the Director Sees It
1/20/1971 Telvision: From the Inside: Fall 1970 New Vistas in Recording, Duplication, & Theatrical Display
1/27/1971 Telvision: From the Inside: Fall 1970 New Vistas in Release
2/10/1971 Production in Current Film and Video Tape Formats: Spring 1971 Neal Keehn The Changing Scene in Production
2/24/1971 Production in Current Film and Video Tape Formats: Spring 1971 Leon Cliolach
3/3/1971 Production in Current Film and Video Tape Formats: Spring 1971 Vetter et al
3/10/1971 Production in Current Film and Video Tape Formats: Spring 1971 Ancona & Glickman
3/17/1971 Production in Current Film and Video Tape Formats: Spring 1971 Ron Cagemell Sound
3/24/1971 Production in Current Film and Video Tape Formats: Spring 1971 Paul Watgel & Howard Auderm
3/31/1971 Production in Current Film and Video Tape Formats: Spring 1971 Herb Klynn
4/7/1971 Production in Current Film and Video Tape Formats: Spring 1971
4/14/1971 Production in Current Film and Video Tape Formats: Spring 1971 Bryan Hickox
4/21/1971 Production in Current Film and Video Tape Formats: Spring 1971 Lighting
4/28/1971 Production in Current Film and Video Tape Formats: Spring 1971
5/5/1971 Production in Current Film and Video Tape Formats: Spring 1971
5/12/1971 Production in Current Film and Video Tape Formats: Spring 1971 Hickox & Ringer
5/19/1971 Production in Current Film and Video Tape Formats: Spring 1971 Ted Fogelman Dealing With the Lab
5/26/1971 Production in Current Film and Video Tape Formats: Spring 1971 Neal Keehn & panel Distribution
9/23/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Edward Anacona Jr. Visual Perception – “Seeing is Believing”
9/29/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Sidney Solo Fundamentals of Color
10/3/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Richard Vetter Basic Principles of Light and Lenses
10/6/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Phil Cohen, Carl Williams Lenses and Optics
10/13/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Daniel Wiegand The Sound Track
10/20/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 William Creber Art Direction and Design
10/27/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Roderick Ryan Films and Formats
11/3/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 J.P. Carson Basic Motion Picture Film Exposing
11/10/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Fred Scobey Processing the Motion Picture Film
11/17/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Lloyd Richardson, Norman Palmer, Bob Stafford Post Production in Motion Pictures
12/1/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Bryan Hickox Video: What is it?
12/8/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Richard Glickman, John Lowry Lighting and Recording for TV
12/8/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Richard Glickman, John Lowry Lighting and Recording for TV
12/15/1971 Fundamentals of Motion Picture and Television Production: Fall 1971 Mel Sawelson Post Production in Video
1/5/1972 Fundamentals of Motion Picture and Television Production: Fall 1971 Ray Jewell The Producer and His Staff
1/12/1972 Fundamentals of Motion Picture and Television Production: Fall 1971 Bill Walsh, Bob Stevenson Pre-Production – From Concept to Production
1/20/1972 Fundamentals of Motion Picture and Television Production: Fall 1971 Jim Pratt Production Facilities
1/26/1972 Fundamentals of Motion Picture and Television Production: Fall 1971 Marc Tenser, Bruce Corwin Marketing and Exhibition
2/16/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Ted Fogelman The Modern Motion Picture Laboratory
2/16/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Ted Fogelman The Modern Motion Picture Laboratory
2/23/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Edward Anacona Jr. Fundamentals of Light and Color
2/23/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Edward Anacona Jr. Fundamentals of Light and Color
2/23/1978 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Edward Anacona Jr. Fundamentals of Light and Color
3/1/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Curt Christian Photographic Materials
3/1/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Curt Christian Photographic Materials
3/8/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Sidney P. Solow Sensitometry
3/8/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Sidney P. Solow Sensitometry
3/15/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Athony Bruno Photographic Chemistry
3/15/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Athony Bruno Photographic Chemistry
3/22/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Don Sheaff Chemical Systems
3/29/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Charles S. Wilkinson, Thomas C. Triese Film Processing and Equipment
3/29/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Charles S. Wilkinson, Thomas C. Triese Film Processing and Equipment
4/5/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Fred Scobey Color Film Processing and Printing
4/5/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Fred Scobey Color Film Processing and Printing
4/12/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 John McDonough Ecology Considerations – Pollution and Regeneration
4/12/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 John McDonough Ecology Considerations – Pollution and Regeneration
4/19/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Jack Hall, Frank Bracket Film Printing, Black and White, and Color
4/19/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Jack Hall, Frank Bracket Film Printing, Black and White, and Color
4/26/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Jack V. Leahy, Petro Vlahos Sound and the Laboratory
4/26/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Jack V. Leahy, Petro Vlahos Sound and the Laboratory
5/3/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Joseph Schmit Optical Effects and Duplictating Techniques
5/3/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Joseph Schmit Optical Effects and Duplictating Techniques
5/10/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Bryan Hickox Videotape – Transfer Techniques
5/10/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Bryan Hickox Videotape – Transfer Techniques
5/17/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Bryan Hickox, Evans Electronic Editing
5/17/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Bryan Hickox, Evans Electronic Editing
5/25/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 William D. Hedden, Kenneth Bell Small Format Films, Slides and Film Strips
5/25/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 William D. Hedden, Kenneth Bell Small Format Films, Slides and Film Strips
5/31/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Donald Kloepfel Projection
5/31/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Donald Kloepfel Projection
6/7/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Neal Keehn, Ron Quigley, Jack Mauck, Bill Newborn Customer – Laboratory Relations
6/7/1972 The Modern Motion Picture Laboratory – Technology and Techniques: Spring 1972 Neal Keehn, Ron Quigley, Jack Mauck, Bill Newborn Customer – Laboratory Relations
9/20/1972 The Production Team – Motion Pictures and Television: Fall 1972 William Tuttle, C. Botem, J. Pratt The Golden Age of Motion Pictures
9/27/1972 The Production Team – Motion Pictures and Television: Fall 1972 Gillespie, Jack Shrader, Chirs Clark The Major and the Independent
10/4/1972 The Production Team – Motion Pictures and Television: Fall 1972 Russ Meyer The Low Budget Feature
10/4/1972 The Production Team – Motion Pictures and Television: Fall 1972 Russ Meyer The Low Budget Feature
10/11/1972 The Production Team – Motion Pictures and Television: Fall 1972 Wollie Reitherman, McKay The Animated Feature
10/18/1972 The Production Team – Motion Pictures and Television: Fall 1972 Wollie Reitherman, McKay The Animated Feature
10/25/1972 The Production Team – Motion Pictures and Television: Fall 1972 Tom Belcher, Alan Sandler The Commercial – Film and Tape
10/25/1972 The Production Team – Motion Pictures and Television: Fall 1972 Tom Belcher, Alan Sandler The Commercial – Film and Tape
11/1/1972 The Production Team – Motion Pictures and Television: Fall 1972 Ted Fogelman, Bruce Brown 16MM Production for Theatrical Release
11/1/1972 The Production Team – Motion Pictures and Television: Fall 1972 Ted Fogelman, Bruce Brown 16MM Production for Theatrical Release
11/8/1972 The Production Team – Motion Pictures and Television: Fall 1972 Bryan Hickox The Location Film
11/15/1975 The Production Team – Motion Pictures and Television: Fall 1972 Jim Algar The Multi Screen – Ultra Wid Presentation
11/29/1975 The Production Team – Motion Pictures and Television: Fall 1972 Leon Chooluck The Electronic Theatrical Feature
11/29/1975 The Production Team – Motion Pictures and Television: Fall 1972 Leon Chooluck The Electronic Theatrical Feature
12/6/1972 The Production Team – Motion Pictures and Television: Fall 1972 Bryan Hickox, Ringer, Wilson The Electronic Theatrical Feature
12/6/1972 The Production Team – Motion Pictures and Television: Fall 1972 Bryan Hickox, Ringer, Wilson The Electronic Theatrical Feature
12/13/1972 The Production Team – Motion Pictures and Television: Fall 1972 Nick Vanhoff, Peppidtt The Television Special
12/20/1972 The Production Team – Motion Pictures and Television: Fall 1972 Jack Tillar The Television Documentary
1/3/1973 The Production Team – Motion Pictures and Television: Fall 1972 David Victor, David O’Connell The Television Series
1/3/1973 The Production Team – Motion Pictures and Television: Fall 1972 David Victor, David O’Connell The Television Series
1/10/1973 The Production Team – Motion Pictures and Television: Fall 1972 Irwin Allen The Feature Theatrical – 1972
1/17/1973 The Production Team – Motion Pictures and Television: Fall 1972 Irwin Allen The Feature Theatrical
1/17/1973 The Production Team – Motion Pictures and Television: Fall 1972 Irwin Allen The Feature Theatrical
2/14/1973 Special Effects in Motion Pictures: Spring 1973 Bill Creber Art Direction and Production Design
2/14/1973 Special Effects in Motion Pictures: Spring 1973 Bill Creber Art Direction and Production Design
2/21/1973 Special Effects in Motion Pictures: Spring 1973 L.B. Abbot Production Planning
2/21/1973 Special Effects in Motion Pictures: Spring 1973 L.B. Abbot Production Planning
2/28/1973 Special Effects in Motion Pictures: Spring 1973 King Propmaking and Set Construction
2/28/1973 Special Effects in Motion Pictures: Spring 1973 King Propmaking and Set Construction
3/7/1973 Special Effects in Motion Pictures: Spring 1973 Pete Clark, Paul Wurtzel, A.D. Flowers Mechanical Special Effects
3/14/1973 Special Effects in Motion Pictures: Spring 1973 Ray Gosnell Camera Techniques and Plate Photography
3/14/1973 Special Effects in Motion Pictures: Spring 1973 Ray Gosnell Camera Techniques and Plate Photography
3/21/1973 Special Effects in Motion Pictures: Spring 1973 Howard Anderson Minatures and Process Backgrounds
3/21/1973 Special Effects in Motion Pictures: Spring 1973 Howard Anderson Minatures and Process Backgrounds
3/28/1973 Special Effects in Motion Pictures: Spring 1973 Albert Whitlock, Jim Danforth Glass Shots, Matte Painting, Scenic Backgrounds, 3-D Animation
3/28/1973 Special Effects in Motion Pictures: Spring 1973 Albert Whitlock, Jim Danforth Glass Shots, Matte Painting, Scenic Backgrounds, 3-D Animation
4/4/1973 Special Effects in Motion Pictures: Spring 1973 Bill Taylor, Petro Vlahos Blue Screen, and the Electronic Composite Printer
4/4/1973 Special Effects in Motion Pictures: Spring 1973 Bill Taylor, Petro Vlahos Blue Screen, and the Electronic Composite Printer
4/11/1973 Special Effects in Motion Pictures: Spring 1973 Bryan Hickox Television Special Effects
4/25/1973 Special Effects in Motion Pictures: Spring 1973 William Tuttle Make-Up
5/2/1973 Special Effects in Motion Pictures: Spring 1973 Paul Zastupnevich, Fred Waugh Wardrobe; Stunting
5/2/1973 Special Effects in Motion Pictures: Spring 1973 Paul Zastupnevich, Fred Waugh Wardrobe; Stunting
5/9/1973 Special Effects in Motion Pictures: Spring 1973 Sound Effects
5/9/1973 Special Effects in Motion Pictures: Spring 1973 Sound Effects
5/16/1973 Special Effects in Motion Pictures: Spring 1973 Bill and Rolf Miller Optical Printing; Laboratory Services
5/16/1973 Special Effects in Motion Pictures: Spring 1973 Bill and Rolf Miller Optical Printing; Laboratory Services
6/6/1973 Special Effects in Motion Pictures: Spring 1973 Linwood Dunn Special Optical Effects
6/6/1973 Special Effects in Motion Pictures: Spring 1973 Linwood Dunn Special Optical Effects
9/11/1973 Color: As Seen and Heard: Fall 1973 Norris Theater Dedication
9/11/1973 Color: As Seen and Heard: Fall 1973
9/19/1973 Color: As Seen and Heard: Fall 1973 Sid Solow Color Fundamentals
9/19/1973 Color: As Seen and Heard: Fall 1973 Sid Solow Color Fundamentals
9/26/1973 Color: As Seen and Heard: Fall 1973 Ed Stein Characteristics of Color
9/26/1973 Color: As Seen and Heard: Fall 1973 Ed Stein Characteristics of Color
10/3/1973 Color: As Seen and Heard: Fall 1973 Herb Farmer, Bill Holm, E. Reichard, J. Kelly, F. Bracket The Importance and Applications of Standards
10/3/1973 Color: As Seen and Heard: Fall 1973 Herb Farmer, Bill Holm, E. Reichard, J. Kelly, F. Bracket The Importance and Applications of Standards
10/10/1973 Color: As Seen and Heard: Fall 1973 W. Hoch Light for Color Production
10/10/1973 Color: As Seen and Heard: Fall 1973 W. Hoch Light for Color Production
10/17/1973 Color: As Seen and Heard: Fall 1973 Alex Golitzen, Edith Head, Bill Tuttle Color Cordination
10/17/1973 Color: As Seen and Heard: Fall 1973 Alex Golitzen, Edith Head, Bill Tuttle Color Cordination
10/24/1973 Color: As Seen and Heard: Fall 1973 Frank Brackett Color Photographic Materials
10/31/1973 Color: As Seen and Heard: Fall 1973 Fred Scobey Color Film Processing and Printing
10/31/1973 Color: As Seen and Heard: Fall 1973 Fred Scobey Color Film Processing and Printing
11/7/1973 Color: As Seen and Heard: Fall 1973 Joe Roizen Elements of Color Television
11/7/1973 Color: As Seen and Heard: Fall 1973 Joe Roizen Elements of Color Television
11/14/1973 Color: As Seen and Heard: Fall 1973 Harvey Watterson, Bryan Hickox Color Television Production
11/14/1973 Color: As Seen and Heard: Fall 1973 Harvey Watterson, Bryan Hickox Color Television Production
11/28/1973 Color: As Seen and Heard: Fall 1973 Dave Iwerks Forty Years of Color with Walt Disney Productions
12/5/1973 Color: As Seen and Heard: Fall 1973 Bryan Hickox Television Special Effects
12/5/1973 Color: As Seen and Heard: Fall 1973 Bryan Hickox Television Special Effects
12/12/1973 Color: As Seen and Heard: Fall 1973 Bryan Hickox, Bob Ringer Transers – Video and Film
12/12/1973 Color: As Seen and Heard: Fall 1973 Bryan Hickox, Bob Ringer Transers – Video and Film
12/19/1973 Color: As Seen and Heard: Fall 1973 Lakotis Sound
12/19/1973 Color: As Seen and Heard: Fall 1973 Lakotis Sound
1/9/1974 Color: As Seen and Heard: Fall 1973 Don Kloepfel Motion Picture Projection and Theater Presentation
1/9/1974 Color: As Seen and Heard: Fall 1973 Don Kloepfel Motion Picture Projection and Theater Presentation
1/16/1974 Color: As Seen and Heard: Fall 1973 Neal Keehn, Mough, Springer, Holm, Ryan Where Do We Go From Here?
1/16/1974 Color: As Seen and Heard: Fall 1973 Neal Keehn, Mough, Springer, Holm, Ryan Where Do We Go From Here?
2/5/1974 Presentation Systems for Film and Television: Spring 1974 Charles Clarke From Past to Present
2/13/1974 Presentation Systems for Film and Television: Spring 1974 Petro Vlahos Visual Perception – How We See
2/20/1974 Presentation Systems for Film and Television: Spring 1974 Edward P. Ancona Jr. How Big the Picture – How Lard the Audiences?
2/20/1974 Presentation Systems for Film and Television: Spring 1974 Edward P. Ancona Jr. How Big the Picture – How Lard the Audiences?
2/27/1974 Presentation Systems for Film and Television: Spring 1974 Lamar Stewart Projection Screens – Front and Rear
2/27/1974 Presentation Systems for Film and Television: Spring 1974 Lamar Stewart Projection Screens – Front and Rear
3/6/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox, Petro Vlahos, Zac Beiser Television and Other Small Screen Dislplays
3/6/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox, Petro Vlahos, Zac Beiser Television and Other Small Screen Dislplays
3/13/1974 Presentation Systems for Film and Television: Spring 1974 Spero L. Kontos, Donald Kloepfel Theatre Presentation I
3/13/1974 Presentation Systems for Film and Television: Spring 1974 Spero L. Kontos, Donald Kloepfel Theatre Presentation I
3/20/1974 Presentation Systems for Film and Television: Spring 1974 Richard Vetter, Benjamin Theatre Presentation II
3/20/1974 Presentation Systems for Film and Television: Spring 1974 Richard Vetter, Benjamin Theatre Presentation II
3/27/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox Projection Parameters
3/27/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox The Television Pos Production Team
4/3/1974 Presentation Systems for Film and Television: Spring 1974 Walter H. Mills, James C. Adams Editorial Display Systems – Electronic and Film
4/3/1974 Presentation Systems for Film and Television: Spring 1974 Walter H. Mills, James C. Adams Editorial Display Systems – Electronic and Film
4/17/1974 Presentation Systems for Film and Television: Spring 1974 Edward Reichard, Albert Arbeeny Quality Control and the Review Room
4/17/1974 Presentation Systems for Film and Television: Spring 1974 Edward Reichard, Albert Arbeeny Quality Control and the Review Room
5/1/1974 Presentation Systems for Film and Television: Spring 1974 Paul Preo, J. Branch Classroom and Conference Screening
5/1/1974 Presentation Systems for Film and Television: Spring 1974 Paul Preo, J. Branch Classroom and Conference Screening
5/8/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox, Comandini Transfer Systems Electronic Projection
5/8/1974 Presentation Systems for Film and Television: Spring 1974 Bryan Hickox, Comandini Transfer Systems Electronic Projection
5/15/1974 Presentation Systems for Film and Television: Spring 1974 Paul S. Veneklasen Theatre Sound and Acoustics
5/15/1974 Presentation Systems for Film and Television: Spring 1974 Paul S. Veneklasen Theatre Sound and Acoustics
5/22/1974 Presentation Systems for Film and Television: Spring 1974 Dick Sale, Ron Gies Image Display for Technical Information
5/22/1974 Presentation Systems for Film and Television: Spring 1974 Dick Sale, Ron Gies Image Display for Technical Information
5/29/1974 Presentation Systems for Film and Television: Spring 1974 Roy Deets Multi-Media and Other Exotic Systems
5/29/1974 Presentation Systems for Film and Television: Spring 1974 Roy Deets Multi-Media and Other Exotic Systems
2/5/1974 Theatre Management: Spring 1974 Bruce Corwin, Robert Selig, Irving Fuller Theatres and Trends
2/5/1974 Theatre Management: Spring 1974 Bruce Corwin, Robert Selig, Irving Fuller Theatres and Trends
2/5/1974 Theatre Management: Spring 1974 Bruce Corwin, Robert Selig, Irving Fuller Theatres and Trends
2/12/1974 Theatre Management: Spring 1974 Bert Pirosh, Morton Lippe, Tad Danz Film Buying, Booking and Distribution
2/19/1974 Theatre Management: Spring 1974 Bert Pirosh, Morton Lippe, Tad Danz Film Buying, Booking and Distribution
2/26/1974 Theatre Management: Spring 1974 Jim Leroy, Sal Fasulo, Harold Citron Walk-in, Drive-in and Multi-Plex Theatres
3/5/1974 Theatre Management: Spring 1974 Max and Robert Laemmle, Vic Rosen Specialized Policies – Finding New Audiences
3/12/1974 Theatre Management: Spring 1974 Jules Lanfield, Joe Vleck Advertising, Publicity and Promotion
3/19/1974 Theatre Management: Spring 1974 Robert Selig, Ferroro, Lesser, Fenfon Industry and Community Responsibilites
3/26/1974 Theatre Management: Spring 1974 Zack Beiser, Spero Kontos, Richard Nederhauser Theatre Design and Maintenance
4/2/1974 Theatre Management: Spring 1974 Wilton R. Holm, Petro Vlahos, Robert Tankersley Technical Advances – Today and Tomorrow
4/16/1974 Theatre Management: Spring 1974 Charles Champlin The Film Critic – Friend of Foe?
4/23/1974 Theatre Management: Spring 1974 George Aurelius, Frank Diaz, Alan Bamossy Personnel Selection and Training
4/30/1974 Theatre Management: Spring 1974 Len Lowengrub, Al Lapidos, Sal Fasulo Snack Bar Operations
5/7/1974 Theatre Management: Spring 1974 Edward Gleb, William Cooper Security, Control and Loss Prevention
5/14/1974 Theatre Management: Spring 1974 Roy Brewer, Harold Citron, Frank McBryde, Cecil Vinnicof Union Relationships and Projectionists/Managers
5/28/1974 Theatre Management: Spring 1974 Bruce Corwin, and Panel Exhibition – Making Way for Tomorrow
5/28/1974 Theatre Management: Spring 1974 Bruce Corwin, and Panel Exhibition – Making Way for Tomorrow
9/18/1974 Sound and Recording and Reproduction: Fall 1974 Jack Mullin History of Sound Reproduction
9/18/1974 Sound and Recording and Reproduction: Fall 1974 Jack Mullin History of Sound Reproduction
9/25/1974 Sound and Recording and Reproduction: Fall 1974 Bill Holm The Nature of Sound
9/25/1974 Sound and Recording and Reproduction: Fall 1974 Bill Holm The Nature of Sound
10/2/1974 Sound and Recording and Reproduction: Fall 1974 Cliff Schwander, Jack Purcell, Zack Beiser Sound in the Theatre
10/2/1974 Sound and Recording and Reproduction: Fall 1974 Cliff Schwander, Jack Purcell, Zack Beiser Sound in the Theatre
10/2/1974 Sound and Recording and Reproduction: Fall 1974 Cliff Schwander, Jack Purcell, Zack Beiser Sound in the Theatre
10/9/1974 Sound and Recording and Reproduction: Fall 1974 Fred Scobey Sound Standards and Release Print Formats
10/9/1974 Sound and Recording and Reproduction: Fall 1974 Fred Scobey Sound Standards and Release Print Formats
10/16/1974 Sound and Recording and Reproduction: Fall 1974 Bob Hufford Sound and the Laboratory
10/16/1974 Sound and Recording and Reproduction: Fall 1974 Bob Hufford Sound and the Laboratory
10/23/1974 Sound and Recording and Reproduction: Fall 1974 Al Green and Staff Re-Recording and Post Production
10/30/1974 Sound and Recording and Reproduction: Fall 1974 Dan Wiegand, Bud Bennett, Frank Pontius Signal Processing
10/30/1974 Sound and Recording and Reproduction: Fall 1974 Dan Wiegand, Bud Bennett, Frank Pontius Signal Processing
11/6/1974 Sound and Recording and Reproduction: Fall 1974 Jerry Christoff Recording Studio Design
11/6/1974 Sound and Recording and Reproduction: Fall 1974 Jerry Christoff Recording Studio Design
11/13/1974 Sound and Recording and Reproduction: Fall 1974 Csaba Hunyar, Bob Macleod Recording and Mastering Proces
11/13/1974 Sound and Recording and Reproduction: Fall 1974 Csaba Hunyar, Bob Macleod Recording and Mastering Proces
11/20/1974 Sound and Recording and Reproduction: Fall 1974 Jack Schrader Sound Editing
11/20/1974 Sound and Recording and Reproduction: Fall 1974 Jack Schrader Sound Editing
12/11/1974 Sound and Recording and Reproduction: Fall 1974 Bruce Kirby Location Recording and Mobile Facilities
12/11/1974 Sound and Recording and Reproduction: Fall 1974 Bruce Kirby Location Recording and Mobile Facilities
12/18/1974 Sound and Recording and Reproduction: Fall 1974 Gordon Sawyer, Don Rogers Studio and Stage Production Recording
12/18/1974 Sound and Recording and Reproduction: Fall 1974 Gordon Sawyer, Don Rogers Studio and Stage Production Recording
1/8/1975 Sound and Recording and Reproduction: Fall 1974 Microphones
1/8/1975 Sound and Recording and Reproduction: Fall 1974 Microphones
1/15/1975 Sound and Recording and Reproduction: Fall 1974 Herb Farmer and Panel Sound for 16mm and Smaller Format Films
1/15/1975 Sound and Recording and Reproduction: Fall 1974 Herb Farmer and Panel Sound for 16mm and Smaller Format Films
2/12/1975 Post Production: Motion Pictures and Television: Spring 1975 Robert Wise The Film Post Production Team
2/12/1975 Post Production: Motion Pictures and Television: Spring 1975 Robert Wise The Film Post Production Team
2/19/1975 Post Production: Motion Pictures and Television: Spring 1975 Gene Fowler Jr., Marjorie Fowler, Dann Cahn Editng Feature and Television Films
2/19/1975 Post Production: Motion Pictures and Television: Spring 1975 Gene Fowler Jr., Marjorie Fowler, Dann Cahn Editng Feature and Television Films
2/26/1975 Post Production: Motion Pictures and Television: Spring 1975 Saul Bass, Milt Shefter Title Design; Computer Generated Graphics
3/5/1975 Post Production: Motion Pictures and Television: Spring 1975 Sy Wexler Non-Theatrical Film Post Production
3/5/1975 Post Production: Motion Pictures and Television: Spring 1975 Sy Wexler Non-Theatrical Film Post Production
3/12/1975 Post Production: Motion Pictures and Television: Spring 1975 John L. Hathorn, Joseph Von Stroheim The Film Library; The Sound Library
3/12/1975 Post Production: Motion Pictures and Television: Spring 1975 John L. Hathorn, Joseph Von Stroheim The Film Library; The Sound Library
3/19/1975 Post Production: Motion Pictures and Television: Spring 1975 Ted Fogelman Dealing With the Library
4/2/1975 Post Production: Motion Pictures and Television: Spring 1975 Don Rogers Sound Effects
4/9/1975 Post Production: Motion Pictures and Television: Spring 1975 Bennett Fuglsby, Virginia Sims Promotional Film Editing; Negative Cutting
4/9/1975 Post Production: Motion Pictures and Television: Spring 1975 Bennett Fuglsby, Virginia Sims Promotional Film Editing; Negative Cutting
4/16/1975 Post Production: Motion Pictures and Television: Spring 1975 Hal Scheib Titles, Opticals and Insert Photography
4/16/1975 Post Production: Motion Pictures and Television: Spring 1975 Hal Scheib Titles, Opticals and Insert Photography
4/23/1975 Post Production: Motion Pictures and Television: Spring 1975 Bryan Hickox The Television Pos Production Team
4/23/1975 Post Production: Motion Pictures and Television: Spring 1975 Bryan Hickox The Television Pos Production Team
4/30/1975 Post Production: Motion Pictures and Television: Spring 1975 Steve Orland Video Tape Post Production
4/30/1975 Post Production: Motion Pictures and Television: Spring 1975 Steve Orland Video Tape Post Production
5/7/1975 Post Production: Motion Pictures and Television: Spring 1975 Jerry Stahler, George Gardner Electronic Journalism
5/7/1975 Post Production: Motion Pictures and Television: Spring 1975 Jerry Stahler, George Gardner Electronic Journalism
5/14/1975 Post Production: Motion Pictures and Television: Spring 1975 Bob Ringer Transfers: Tape and Film
5/21/1975 Post Production: Motion Pictures and Television: Spring 1975 John Green Composing, Arranging and Scoring
5/21/1975 Post Production: Motion Pictures and Television: Spring 1975 John Green Composing, Arranging and Scoring
5/28/1975 Post Production: Motion Pictures and Television: Spring 1975 Charles Clement Music Editing
5/28/1975 Post Production: Motion Pictures and Television: Spring 1975 Charles Clement Music Editing
6/4/1975 Post Production: Motion Pictures and Television: Spring 1975 Linnwood Dunn Creative Photographic Effects
6/4/1975 Post Production: Motion Pictures and Television: Spring 1975 Linnwood Dunn Creative Photographic Effects
6/4/1975 Post Production: Motion Pictures and Television: Spring 1975 Linnwood Dunn Creative Photographic Effects
9/17/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Chris Cookson, Ken Gustafson, Tom Nielson, Ray Walker, C.M. Brainard, John Williams, Mr. Yamashita, Dave Cooper, W. Holland New Developments in Video Cameras
9/17/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Chris Cookson, Ken Gustafson, Tom Nielson, Ray Walker, C.M. Brainard, John Williams, Mr. Yamashita, Dave Cooper, W. Holland New Developments in Video Cameras
9/24/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Robert Jageman, Ed Digiulio, Peter Stuart, Larry Aran, Dr. Rod Ryan, Ian Taylor, Marvin Jacobs, Ken Palius, Bill Anderson, Barney McNulty, Mr. Marion Rimmer, Earl Strumpell, Bert Rosenberg Camera Accessories and Lenses
9/24/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Robert Jageman, Ed Digiulio, Peter Stuart, Larry Aran, Dr. Rod Ryan, Ian Taylor, Marvin Jacobs, Ken Palius, Bill Anderson, Barney McNulty, Mr. Marion Rimmer, Earl Strumpell, Bert Rosenberg Camera Accessories and Lenses
10/8/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Tom Nielson, Dick West, Burt Dann, Bob Mueller The Newest in Broadcast Video Tape Recorders
10/8/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Tom Nielson, Dick West, Burt Dann, Bob Mueller The Newest in Broadcast Video Tape Recorders
10/8/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Tom Nielson, Dick West, Burt Dann, Bob Mueller The Newest in Broadcast Video Tape Recorders
10/15/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 William Hendershot, Dennis Donnelly, Ken Gustafson, R. Walker, Don Dunbar, J.L. Kimball, Tom Nielson, Don Morgan, John Lowry, W. Holland Film and Helical to Quadraplex Transfers
10/15/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 William Hendershot, Dennis Donnelly, Ken Gustafson, R. Walker, Don Dunbar, J.L. Kimball, Tom Nielson, Don Morgan, John Lowry, W. Holland Film and Helical to Quadraplex Transfers
10/22/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 David Hilll, Joseph Matza, Paul Kenworthy, S. Shourds, Dick Schoenholtz, D.R. Rigler, Tim Morrison Specialty Services and Electronic Titling
10/22/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 David Hilll, Joseph Matza, Paul Kenworthy, S. Shourds, Dick Schoenholtz, D.R. Rigler, Tim Morrison Specialty Services and Electronic Titling
10/29/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Brian Ross, Jean DeJoux, John Whitney, Lou Scheimer, John Braislin, Milt Shefter Electronic Animation
10/29/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Brian Ross, Jean DeJoux, John Whitney, Lou Scheimer, John Braislin, Milt Shefter Electronic Animation
11/5/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 W. Smith, Ken Kahler, R. Hufford, John Koch, Bob Ringer Electronic Projection and Tape to Film Conversion
11/5/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 W. Smith, Ken Kahler, R. Hufford, John Koch, Bob Ringer Electronic Projection and Tape to Film Conversion
11/12/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 George Swetland, Don Prather, Hal Blakeslee, Newt Bellis, Norm Vogel, Art Schneider, Don Stern Electronic Computer Assisted Editing
11/12/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 George Swetland, Don Prather, Hal Blakeslee, Newt Bellis, Norm Vogel, Art Schneider, Don Stern Electronic Computer Assisted Editing
11/19/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Frank Kelley, Tom Nielson, Emory Cohen, N. Ritter Newest Developments in Sound
11/19/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Frank Kelley, Tom Nielson, Emory Cohen, N. Ritter Newest Developments in Sound
12/3/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Eric King, James Shepard, James Mendrala, Ted Demus, Ben Burtt Special Effects
12/3/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Eric King, James Shepard, James Mendrala, Ted Demus, Ben Burtt Special Effects
12/10/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Newt Bellis, Hal Dasbach, H. Plotnick, B. Fincher, J. Stahler, G. Gardner Location Shooting and Electronic Journalism
12/10/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Newt Bellis, Hal Dasbach, H. Plotnick, B. Fincher, J. Stahler, G. Gardner Location Shooting and Electronic Journalism
12/17/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Bob Ringer, Joseph Bluth, Bill Sargent, Lee Garmes Electronic Feature Films
12/17/1975 Electronic Photography Today: Techniques and Technology: Fall 1975 Bob Ringer, Joseph Bluth, Bill Sargent, Lee Garmes Electronic Feature Films
1/7/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Milt Shefter, Dan Warner, Robert Freedman, George Storer Distribution and Syndication
1/7/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Milt Shefter, Dan Warner, Robert Freedman, George Storer Distribution and Syndication
1/14/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Bert Rosen, Mort Lochman, Harry Watersen, Alan Levy Producers Seminar – What does it all Mean?
1/14/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Bert Rosen, Mort Lochman, Harry Watersen, Alan Levy Producers Seminar – What does it all Mean?
1/21/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Gordon Wiles, Marty Pasetta, Art Fisher, Mark Warren, Jack Shea, Bob Wynn Directors Seminar – What does it all Mean?
1/27/1976 Electronic Photography Today: Techniques and Technology: Fall 1975 Gordon Wiles, Marty Pasetta, Art Fisher, Mark Warren, Jack Shea, Bob Wynn Directors Seminar – What does it all Mean?
2/18/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Saul David The Impact of Special Effects
2/18/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Saul David The Impact of Special Effects
2/25/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 John Mansbridge Art Direction and Production Design
3/3/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Danny Lee Propmaking, Set Construction and Miniatures
3/3/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Danny Lee Propmaking, Set Construction and Miniatures
3/10/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Paul Wurtzel Mechanical Special Effects
3/17/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 L.B. Abbott Camera Techniques and Process Backgrounds
3/17/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 L.B. Abbott Camera Techniques and Process Backgrounds
3/24/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Milt Altman Television Special Effects
3/31/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bill Taylor, Petro Vlahos Traveling Mattes, The Electronic Composite Printer
3/31/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bill Taylor, Petro Vlahos Traveling Mattes, The Electronic Composite Printer
4/7/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Howard Ziehm, Walter Chichy Special Effects for the Low Budget Producer
4/21/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bill Tuttle Make-Up
4/21/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bill Tuttle Make-Up
4/28/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Paul Zastupnevich, Glenn Wilder Wardrobe; Stunting
4/28/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Paul Zastupnevich, Glenn Wilder Wardrobe; Stunting
5/5/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Don Rogers Sound Effects
5/12/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Howard A. Anderson Jr. Optical Printing and Titles
5/12/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Howard A. Anderson Jr. Optical Printing and Titles
5/19/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Chuck Silvers Editing and Post Production
5/19/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Chuck Silvers Editing and Post Production
5/26/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Albert Whitlock, Jim Danforth Glass Shots, Matte Printing, Scenic Backings, Dimensional Animation
5/26/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Albert Whitlock, Jim Danforth Glass Shots, Matte Printing, Scenic Backings, Dimensional Animation
6/2/1976 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Linnwood Dunn Cinemagic of the Optical Printer
12/5/1984 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Frank Genereux & Gilles Vrignaud Principles of Signal Distribution and Switching
12/12/1984 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bob Rowe, Bill Hogan, John Whitman, Steve Desatnick Production Panel Discussion
12/12/1984 Special Visual Effects in Motion Picture and Televsion: Spring 1976 Bob Rowe, Bill Hogan, John Whitman, Steve Desatnick Production Panel Discussion
9/19/1984 Merging Technologies: Television and Film Principles: Fall 1984 John Horn Principles of Scanning
9/19/1984 Merging Technologies: Television and Film Principles: Fall 1984 John Horn Principles of Scanning
9/26/1984 Merging Technologies: Television and Film Principles: Fall 1984 John Brooks Principles of Display
9/26/1984 Merging Technologies: Television and Film Principles: Fall 1984 John Brooks Principles of Display
10/3/1984 Merging Technologies: Television and Film Principles: Fall 1984 Don McCroskey Principles of Color Television
10/3/1984 Merging Technologies: Television and Film Principles: Fall 1984 Don McCroskey Principles of Color Television
10/10/1984 Merging Technologies: Television and Film Principles: Fall 1984 Don Adams, Ken Fowler, Bob Rowe Principles of the Photographic Process
10/10/1984 Merging Technologies: Television and Film Principles: Fall 1984 Don Adams, Ken Fowler, Bob Rowe Principles of the Photographic Process
10/17/1984 Merging Technologies: Television and Film Principles: Fall 1984 Harry Mathias, Steve Van Anda The Camera; The Negative
10/17/1984 Merging Technologies: Television and Film Principles: Fall 1984 Harry Mathias, Steve Van Anda The Camera; The Negative
10/24/1984 Merging Technologies: Television and Film Principles: Fall 1984 Gregg Murphy, Thomas Gurley Principles of Pick Up Devices
10/24/1984 Merging Technologies: Television and Film Principles: Fall 1984 Gregg Murphy, Thomas Gurley Principles of Pick Up Devices
10/31/1984 Merging Technologies: Television and Film Principles: Fall 1984 James Blakeley, Chuck Silvers Editing the Story; Getting an Answer Print
10/31/1984 Merging Technologies: Television and Film Principles: Fall 1984 James Blakeley, Chuck Silvers Editing the Story; Getting an Answer Print
11/7/1984 Merging Technologies: Television and Film Principles: Fall 1984 John Baptista Laboratory Procedures; Projection Principles
11/7/1984 Merging Technologies: Television and Film Principles: Fall 1984 Carl Williams Laboratory Procedures; Projection Principles
11/14/1984 Merging Technologies: Television and Film Principles: Fall 1984 Jerry Isenhower Principles of Recording
11/14/1984 Merging Technologies: Television and Film Principles: Fall 1984 Jerry Isenhower Principles of Recording
11/28/1984 Merging Technologies: Television and Film Principles: Fall 1984 Bill Hogan, Steve Irwin Film/Video Interface
11/28/1984 Merging Technologies: Television and Film Principles: Fall 1984 Bill Hogan, Steve Irwin Film/Video Interface
11/28/1984 Merging Technologies: Television and Film Principles: Fall 1984 Bill Hogan, Steve Irwin Film/Video Interface
12/5/1984 Merging Technologies: Television and Film Principles: Fall 1984 Frank Genereux, Gilles Vrignaud Principles of Signal Distribution and Switching
12/5/1984 Merging Technologies: Television and Film Principles: Fall 1984 Frank Genereux, Gilles Vrignaud Principles of Signal Distribution and Switching
12/12/1984 Merging Technologies: Television and Film Principles: Fall 1984 Steve DeSatnick, Bill Hogan, John Whitman Production Panel Discussion
12/12/1984 Merging Technologies: Television and Film Principles: Fall 1984 Steve DeSatnick, Bill Hogan, John Whitman Production Panel Discussion
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar Why Stereo?
5/11/1985 Stereo for TelevisionΓǪ A Whole Different Ballgame: 11 May 1985 Seminar Diana Deutch, Peter Butt Technical Overview – System Requirements
5/11/1985 Stereo for TelevisionΓǪ A Whole Different Ballgame: 11 May 1985 Seminar Tom Holman, Doug Nelson Production of the new Stereo Television Shows – Alternatives
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar Ed Greene, Bill Varney Editing and Post Production Considerations
5/11/1985 Stereo for TelevisionΓǪ A Whole Different Ballgame: 11 May 1985 Seminar Shawn Murphy, Rick Chase Sources of Existing Program Material – How to Convert
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar Dave Elliot Transmission
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar Everyone and Lou Barfield, Ron Estes, Paul Sehenuk Panel Discussion
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar
5/11/1985 Stereo for Television… A Whole Different Ballgame: 11 May 1985 Seminar
9/18/1985 Perspectives in Film and Video Lighting: Fall 1985 Richard B. Glickman Light Sources
9/25/1985 Perspectives in Film and Video Lighting: Fall 1985 Harry Mathias Lighting Styles for Film & Video: A Cinematographer’s Perspective
9/25/1985 Perspectives in Film and Video Lighting: Fall 1985 Harry Mathias Lighting Styles for Film & Video: A Cinematographer’s Perspective
10/2/1985 Perspectives in Film and Video Lighting: Fall 1985 Bill Klages TV Lighting: Everything You Wanted to Know
10/2/1985 Perspectives in Film and Video Lighting: Fall 1985 Bill Klages TV Lighting: Everything You Wanted to Know
10/9/1985 Perspectives in Film and Video Lighting: Fall 1985 Christopher Condon Lighting for 3-D Films
10/9/1985 Perspectives in Film and Video Lighting: Fall 1985 Christopher Condon Lighting for 3-D Films
10/16/1985 Perspectives in Film and Video Lighting: Fall 1985 Daniel Pearl Music Video
10/16/1985 Perspectives in Film and Video Lighting: Fall 1985 Daniel Pearl Music Video
10/23/1985 Perspectives in Film and Video Lighting: Fall 1985 Richard B. Glickman & Fred Farrish Light Control – Using Light Source Filters and Grip Equipment
10/23/1985 Perspectives in Film and Video Lighting: Fall 1985 Richard B. Glickman & Fred Farrish Light Control – Using Light Source Filters and Grip Equipment
11/6/1985 Perspectives in Film and Video Lighting: Fall 1985 Bill Klages Servo Operated/Remote Postioning Equipment
11/13/1985 Perspectives in Film and Video Lighting: Fall 1985 John Sullivan & Mark Gredell Lasers in Cinematography
11/13/1985 Perspectives in Film and Video Lighting: Fall 1985 John Sullivan & Mark Gredell Lasers in Cinematography
11/20/1985 Perspectives in Film and Video Lighting: Fall 1985 Petro & Paul Vlahos Lighting for Blue Screen and Image Compositing
12/4/1985 Perspectives in Film and Video Lighting: Fall 1985 Rami Mana Color Perception/Selecting the Correct Film as a Function of Exposure
12/4/1985 Perspectives in Film and Video Lighting: Fall 1985 Frank Reinking Color Perception/Selecting the Correct Film as a Function of Exposure
5/20/1989 Film for Television: May 20/21, 1989 Seminar Dan Mcrosky, Craig Curtis, Bill Hogan, Steve Ho Introduction; Who are the Consumers?
5/20/1989 Film for Television: May 20/21, 1989 Seminar Ed Ancona, Don Adams Color Television, an overview; Color Perception
5/20/1989 Film for Television: May 20/21, 1989 Seminar Russ McMurtray Film Stocks and Laboratory Methods
5/20/1989 Film for Television: May 20/21, 1989 Seminar Steve Irwin, Gavin Schutz Telecine Hardware Perspective; A Modern Telecine Transfer Facility
5/20/1989 Film for Television: May 20/21, 1989 Seminar Ed Ancona Subjective Evaluations of Film Types for Transfer
5/21/1989 Film for Television: May 20/21, 1989 Seminar Dan Mcrosky, Bill Hogan, Allen Daviau, Lou Levinson, Tom Holman Transfer Methods and Techniques; Audio Source and Post Production Considerations
5/21/1989 Film for Television: May 20/21, 1989 Seminar Tom Holman, Paul Thomsen, John McClimont Audio Source and Post Production Considerations; Proper Video Viewing Conditions
5/21/1989 Film for Television: May 20/21, 1989 Seminar Siegfried Heap, Al Hart, Emory Cohen, Victor Du Bois Video Tape Recording Formats; Case History of a TV Series
5/21/1989 Film for Television: May 20/21, 1989 Seminar Phil Gorth, Jeanne Byrd Case History of a TV Series; Panel Discussion
5/19/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Robert J. RingerBernie Laramie Digital 101Analog or Digital…????
5/19/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Bill HoganEd Sullivan Overview of Digital Audio & Video HardwareTitles & Graphics for TV & Film
5/19/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Dr. Richard WeinbergGavin Schutz Computer Graphics & AnimationDigital Video Tutorial
5/19/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Rich ThorneBill Feitner A Digital Video FacilityDigital Technology for TV Commercials
5/19/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Ray FenneyBill Kovacs Computer Graphics & Digital Video, How They Fit TogetherOff the Shelf Animation Products
5/20/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar George JobloveChristopher Woods Digital Image Special Effects for Motion PicturesDigital Effects at R:Greenberg
5/20/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Michael Wahram & Josh PinesBob Bajorek Digital Effects at Degraf-WahrmanTransferring Film to D-1 and D-2
5/20/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Tomlinson HolmanLarry Blake Digital Audio TutorialIntroduction to Digital Audio Post Production
5/20/1990 Digital Technology For Motion Pictures and Television Production: May 19/20, 1990 Seminar Rusty Smith, Gregg Hodge, Sherry KleinScott Gershin, Mark La PointeHoward Fleming Digital Audio for THIRTYSOMETHINGDigital Audio Workstation Editing for BORN ON THE FOURTH OF JULYDelivering Digital Sound to the Theater AudienceDemonstration of Cinema Digital Sound
5/11/1991 The Practice of Digital Audio: May 11, 1991 Seminar Mel Lambert Introduction and Overview
5/11/1991 The Practice of Digital Audio: May 11, 1991 Seminar Tomlinson Holman, Lloyd Welch Levels, Monitoring, Error Handling
5/11/1991 The Practice of Digital Audio: May 11, 1991 Seminar Bill Hogan, Pat Warrington, Richard Cabot Switching, Distribution, Interfacing
5/11/1991 The Practice of Digital Audio: May 11, 1991 Seminar Jim Pace, Jeff Evans, Ethan Bush, Kevin Hyland Plant Sync, Sampling Rates – Making them Work
5/11/1991 The Practice of Digital Audio: May 11, 1991 Seminar Panel Summary Panel Discussion
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Leonardo Del Castilo Demo, Time Code Basics, MIDI Basics
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Leonardo Del Castilo Demo, Time Code Basics, MIDI Basics
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Avi Kipper MIDI Basics, MIDI in the Recording Studio
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Avi Kipper MIDI Basics, MIDI in the Recording Studio
6/13/1991 MIDI: June 13, 1992 Seminar Scott Gershin, Mike Perricone, Jerry Lester, Jeff Rona MIDI in Post-Production Sound, The Power of MIDI, More MIDI
6/13/1991 MIDI: June 13, 1992 Seminar Scott Gershin, Mike Perricone, Jerry Lester, Jeff Rona MIDI in Post-Production Sound, The Power of MIDI, More MIDI
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Ric Johnston, Panel More MIDI, Demo, Panel Discussion
6/13/1991 MIDI: June 13, 1992 Seminar Jeff Rona, Ric Johnston, Panel More MIDI, Demo, Panel Discussion
6/13/1991 MIDI: June 13, 1992 Seminar Panel Panel Discussion
6/13/1991 MIDI: June 13, 1992 Seminar Panel Panel Discussion
5/15/1993 Digital Motion Imaging: Getting Started: May 15, 1993 Seminar Reid Baker Data Storage & Exchange
5/15/1993 Digital Motion Imaging: Getting Started: May 15, 1993 Seminar Craig J. Birkmaier Video & Computer Imaging
5/15/1993 Digital Motion Imaging: Getting Started: May 15, 1993 Seminar Joseph J. Kane, Jr. Getting the Color Right
5/15/1993 Digital Motion Imaging: Getting Started: May 15, 1993 Seminar Christopher F. Woods Digital Film Effects
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton Overview of Compression Technology
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton Overview of Compression Technology
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton Overview of Compression Technology
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton Overview of Compression Technology
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton, Michael Brinkman Perceptual Issues in Compression; Compression in Post Production
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton, Michael Brinkman Perceptual Issues in Compression; Compression in Post Production
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton, Craig Tanner Perceptual Issues in Compression; Compression Technology Demonstration; Compression for Cable Distribution
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar Charles A. Poynton, Craig Tanner Perceptual Issues in Compression; Compression Technology Demonstration; Compression for Cable Distribution
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar George Joblove, Craig Tanner, Michael Brinkman, Charles Poynton, Martha Coolidge, Garrett Smith, Allen Daviau, Lou Levinson Panel Discussion: Preserving Image Quality
5/14/1994 Digital Compression for Film and Video: Preserving Image Quality: May 14, 1994 Seminar George Joblove, Craig Tanner, Michael Brinkman, Charles Poynton, Martha Coolidge, Garrett Smith, Allen Daviau, Lou Levinson Panel Discussion: Preserving Image Quality
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Schwartz, Charles Poynton Introduction, Color Perception & Reproduction
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Schwartz, Charles Poynton Introduction, Color Perception & Reproduction
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Poynton, Glenn Kennell Color Perception & Reproduction, Capture, Processing, & Display of Color in Film
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Poynton, Glenn Kennell Color Perception & Reproduction, Capture, Processing, & Display of Color in Film
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Fred Van Roessel, Charles Poynton Origination and Display of Color in Video, Computer Representation and Exchange of Color Information Between Media
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Fred Van Roessel, Charles Poynton Origination and Display of Color in Video, Computer Representation and Exchange of Color Information Between Media
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Poynton, George Joblov, Glenn Kennell, Fred Van Roessel Computer Representation and Exchange of Color Information Between Media, Panel Q & A
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina Charles Poynton, George Joblov, Glenn Kennell, Fred Van Roessel Computer Representation and Exchange of Color Information Between Media, Panel Q & A
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina George Joblov, Charles Poynton, Glen Kennell, Fred Van Roessel Panel Q & A
5/20/1995 Understanding the Use of Color in Film, Video, & Computers: May 20, 1995 Semina George Joblov, Charles Poynton, Glen Kennell, Fred Van Roessel Panel Q & A
1996 Preparing for the DVD: 1996 Seminar John Powers, Jerry Pierce, Garrett J. Smith, Leon Silverman Overview, Making of a DVD
1996 Preparing for the DVD: 1996 Seminar John Powers, Jerry Pierce, Garrett J. Smith, Leon Silverman Overview, Making of a DVD
1996 Preparing for the DVD: 1996 Seminar Jerry Price, Garret J. Smith, Leon Silverman, Kevin Gage, Mike Fitzgerald, Maurice Shannon Making of a DVD, DVD Specification, Selecting and Preparing Content, Video Encoding: How is it Done?
1996 Preparing for the DVD: 1996 Seminar Jerry Price, Garret J. Smith, Leon Silverman, Kevin Gage, Mike Fitzgerald, Maurice Shannon Making of a DVD, DVD Specification, Selecting and Preparing Content, Video Encoding: How is it Done?
1996 Preparing for the DVD: 1996 Seminar Maurice Shannon, Craig Todd, Lee Jordan, Mary C. Saver Video Encoding: How is it Done?, Audio Encoding: AC-3 and MPEG-2?, Subcaption Encoding, Bringing it all Together
1996 Preparing for the DVD: 1996 Seminar Maurice Shannon, Craig Todd, Lee Jordan, Mary C. Saver Video Encoding: How is it Done?, Audio Encoding: AC-3 and MPEG-2?, Subcaption Encoding, Bringing it all Together
1996 Preparing for the DVD: 1996 Seminar Mary C. Saver, Paul Hembach, Don Hays, Garret J. Smith, Panel Bringing it all Together, Analog and Digital Copy Protection, DVD Replication, Quality Assurance, Panel Discussion
1996 Preparing for the DVD: 1996 Seminar Mary C. Saver, Paul Hembach, Don Hays, Garret J. Smith, Panel Bringing it all Together, Analog and Digital Copy Protection, DVD Replication, Quality Assurance, Panel Discussion
1996 Preparing for the DVD: 1996 Seminar Panel Panel Discussion
1996 Preparing for the DVD: 1996 Seminar Panel Panel Discussion
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/17/1997 Preparing for ATV: May 17, 1997 Seminar (no info on speakers or topics)
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Charles Poynton, Dave Taylor, Tom Bretall Tutorial: The Viewing Pychophysics of Advanced Television, Display Technologies for Advanced Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Charles Poynton, Dave Taylor, Tom Bretall Tutorial: The Viewing Pychophysics of Advanced Television, Display Technologies for Advanced Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Bill Miller, Dick Green Delivery Methods for Advanced Digital Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Bill Miller, Dick Green Delivery Methods for Advanced Digital Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Dick Green, Bob Plummer, Ed Lammi, Janet Anderson, Marc Pingry Delivery Methods for Advanced Digital Television, Production Techniques for Advanced Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Dick Green, Bob Plummer, Ed Lammi, Janet Anderson, Marc Pingry Delivery Methods for Advanced Digital Television, Production Techniques for Advanced Television
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Marc Pingry, Jan Yarbrough, Leon Silverman, Adolfo Rodriguez, Panel Production Techniques for Advanced Television, Post-production Techniques for Advanced Television, Panel Discussion
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Marc Pingry, Jan Yarbrough, Leon Silverman, Adolfo Rodriguez, Panel Production Techniques for Advanced Television, Post-production Techniques for Advanced Television, Panel Discussion
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Bruce Babcock, Bill Miller, Dick Green, Bob Plummer, Ed Lammi, Marc Pingry, Leon Silverman, Gavin Schutz, Tom McMahon Panel Discussion: Achieving Success in the Era of Advanced Television Delivery
5/16/1998 Production and Display Technologies for HDTV: Spring 1998 Seminar Bruce Babcock, Bill Miller, Dick Green, Bob Plummer, Ed Lammi, Marc Pingry, Leon Silverman, Gavin Schutz, Tom McMahon Panel Discussion: Achieving Success in the Era of Advanced Television Delivery
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar John Bailey & Phil Barlow The Future of Cinema – Evolution or Revolution?
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Arthur J. Cosgrove, Allen Daviau, John Galt Capturing Images: Film vs. Digital
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Dean Cundey, Rob Hummel, Glenn Kennel, Dash Morrison, Garrett Smith Post-Production: The Role of the Lab in the Digital Age
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Robery Mayson, Steve Morley, Bill Mead, Al Shapiro, Craig Winter Distribution: Delivery to the Megaplex – What is the System?
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Larry Jacobson, Michael Kargosian, Neal Stolberg The Future of Exhibition
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar William P. Bleha, Chapin Cutler, Doug Darrow, Jow Husung, Dave Schnuelle Projecting Images
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Jim Korris & Thomas MacCalla Moving Forward: What’s Next?
The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar none Film Clips
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Leon Silverman, John Bailey
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Leon Silverman, John Bailey
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Phil Barlow
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Ed Digiulio, Arthur Cosgrove, Allen Daviau, John Galt
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Arthur J. Cosgrove, Allen Daviau, John Galt, Dean Cundey, Rob Hummel, Glenn Kennel, Dash Morrison, Garrett Smith Capturing Images: Film vs. Digital, Post-Production: The Role of the Lab in the Digital Age
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Dean Cundey, Rob Hummel, Glenn Kennel, Dash Morrison, Garrett Smith Post-Production: The Role of the Lab in the Digital Age
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Dean Cundey, Rob Hummel, Glenn Kennel, Dash Morrison, Garrett Smith Post-Production: The Role of the Lab in the Digital Age
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Technicolor Dye Transfer Demo
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Robery Mayson, Steve Morley, Bill Mead, Al Shapiro, Craig Winter Distribution: Delivery to the Megaplex – What is the System?
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Robery Mayson, Steve Morley, Bill Mead, Al Shapiro, Craig Winter, Larry Jacobson, Michael Kargosian, Neal Stolberg Distribution: Delivery to the Megaplex – What is the System?, The Future of Exhibition
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Larry Jacobson, Michael Kargosian, Neal Stolberg, William P. Bleha, Chapin Cutler, Doug Darrow, Jow Husung, Dave Schnuelle The Future of Exhibition, Projecting Images
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar William P. Bleha, Chapin Cutler, Doug Darrow, Jow Husung, Dave Schnuelle Projecting Images
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Jim Korris & Thomas MacCalla Moving Forward: What’s Next?
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Film vs. Electronic (split-screen) T.I., H-JVC, WOW-H-JVC
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Q and A
5/22/1999 The Future of Cinema: A Real World Progress Report: Spring 1999 Seminar Q and A

5/15/1993 Digital Motion Imaging: Getting Started: May 15, 1993 Seminar
1969 USC/SMPTE Course Lecture on Color Ed Ancona October 1, 1969 Course Lecture on Color